By Dan Frosch
The New York Times
LARAMIE, Wyo. — The idea behind the sculpture that appeared on the University of Wyoming campus about 16 months ago was simple but provocative: a swirl of dead wood and lumps of coal, intended to show the link between global warming and the pine beetle infestation that has ravaged forests across the Rockies.
But in a place like Wyoming, where the oil, gas and mining industries are the soul of the economy, some view such symbolism as a declaration of war.
And ever since the British artist Chris Drury installed the 36-foot-diameter sculpture, called “Carbon Sink,” the university has been embroiled in a bitter controversy, which eventually led to the quiet removal of the artwork last spring after energy officials and their political allies complained to administrators.
The dispute over the sculpture — part of a series of campus installations commissioned by the university’s art museum — has continued to dog the university after it released e-mails discussing the artwork.
The e-mails, first obtained by Wyoming Public Radio, showed that the university’s president, Tom Buchanan, privately asked that the sculpture be dismantled a year ahead of schedule because of the uproar surrounding it.
In a note on April 13 to the director of the university’s art museum, Dr. Buchanan wrote that it would be best to remove the sculpture, “given the controversy that it has generated.”
His note followed objections raised by local lawmakers and officials in Wyoming’s energy industry, which helps support the university through state taxes and felt betrayed.
